Kiki Smith, a multidisciplinary artist born in Nuremberg, Germany, and currently based in New York, is renowned for her explorations of the human body, mythology, and the natural world. Her work “Underground,” a Jacquard tapestry from 2012, exemplifies her ability to blend traditional techniques with contemporary themes. Represented by Pace Gallery, this piece is a standout in the permanent collection of the Boca Raton Museum of Art.

Textile and tapestry have long played crucial roles in human civilization, serving as both functional items and rich visual records of history and culture. Historically, tapestries have been used to depict historical events, religious narratives, and mythological tales, weaving intricate stories that capture the essence of different eras. The tradition of French Aubusson tapestries, known for their detailed and elaborate designs, is a prime example of how textiles have been used to convey complex narratives and aesthetics.

Smith’s use of the Jacquard loom to create “Underground” merges these historical practices with modern digital technology, resulting in a piece that is both timeless and innovative. The Jacquard loom, invented in the early 19th century, revolutionized the textile industry by allowing complex patterns to be woven with precision. In “Underground,” Smith leverages this technology to bring lush, detailed imagery to life, combining elements of printmaking and sculpture. The tapestry features a rich tableau of flora and fauna, symbolizing the interconnectedness of life, and embodies her characteristic themes of nature and the human body.

The method employed in creating “Underground” allows for a textured, tactile surface that invites viewers to engage closely with the work, creating a powerful visual and emotional impact. The tactile quality of the tapestry, enhanced by the detailed weaving technique, evokes a sense of depth and dimensionality that draws viewers into its intricate world.

Installation of Kiki Smith at Monnaie de Paris, 2019. From left to right Underground, 2012, Harbor, 2015, Fortune, 2014 and Sky, 2011. Photo courtesy of Magnolia Editions and Pace Gallery © Martin Agryroglo.

The design elements in “Underground” are intricate and symbolic. The tapestry is filled with lush depictions of flora and fauna, intertwining plants and animals in a way that emphasizes the interconnectedness of life. This rich imagery is not merely decorative but serves to underscore the themes of life, growth, and the natural world. The underground aspect of the tapestry suggests a hidden, intricate ecosystem that parallels the unseen complexities of human existence and the natural environment.

By using textiles, Smith taps into a medium traditionally associated with domesticity and craft, elevating it to a form of fine art that resonates with contemporary audiences. Her work in “Underground” serves as a bridge between the historical significance of tapestry and its modern interpretations. This piece not only preserves the narrative power of traditional textiles but also challenges and expands the boundaries of what tapestry can represent in the context of contemporary art.

Smith’s contributions to the art world have been widely recognized. Her innovative approach to blending traditional craft with modern themes has earned her numerous solo exhibitions and awards, including the Lifetime Achievement Award from the International Sculpture Center. Her educational background includes studies at Hartford Art School and the New York Studio School of Drawing, Painting and Sculpture, which have profoundly influenced her multidisciplinary approach.

“Underground” stands as a testament to the evolving role of tapestry and textile in contemporary art. It underscores the medium’s potential to convey complex themes and emotions, bridging the gap between traditional craftsmanship and modern artistic expression. Smith’s work reminds us of the enduring importance of textile arts in preserving and conveying cultural narratives while pushing the boundaries of what is possible within this medium.

References

Pace Gallery. “Kiki Smith.” Retrieved from Pace Gallery

Boca Raton Museum of Art. “Permanent Collection. Retrieved from Boca Raton Museum of Art

Jacquard Loom. Retrieved from Boca Raton Museum of Art